David Johansen, who fronted the New York Dolls, dies at 75 : NPR

David Johansen, the chameleonic and charismatic vocalist who fronted the New York Dolls and located solo success below the moniker Buster Poindexter, died on Friday, his publicist confirmed to NPR. He was 75.

Final month, his household revealed that he had been in “intensive remedy” for stage 4 most cancers. The punk pioneer “died of pure causes after practically a decade of sickness,” in line with the publicist’s assertion.

Johansen died at his New York Metropolis house “holding arms along with his spouse Mara Hennessey and daughter Leah, surrounded by music, flowers, and love,” it learn.

Born in 1950, Johansen grew up on Staten Island with 5 siblings and fogeys who met whereas working at a Barnes & Noble. “My father was a Norwegian tenor and my mom a New York Irish librarian,” he advised The Impartial.

As a young person, Johansen began performing in rock ‘n’ roll bands and at a weekly hoot evening at an area Jewish neighborhood heart; on the latter, he sang the Delta blues songs he grew up loving.

“Some folks would do, like, Kingston Trio-type stuff and the Greenbrier Boys,” he advised Contemporary Air in 2001. “I used to be extra into, you already know, Lightnin’ Hopkins and issues like that.”

He additionally joined the Ridiculous Theatrical Firm within the West Village within the years previous the formation of the New York Dolls.

That band rose to prominence within the first half of the Nineteen Seventies, related to the glitter-rock motion spearheaded by Alice Cooper, David Bowie and T. Rex, amongst others. Led by Johansen, the Dolls stood out from even their most colourful friends due to placing stagewear and androgynous appears to be like — numerous combos of skintight pants, sky-high platform boots, make-up, loud animal prints and girls’s clothes.

The New York Dolls carry out on the Waldorf-Astoria Resort in New York on Oct. 31, 1973. At proper is lead singer David Johansen, with guitarist Sylvain Sylvain.

Richard Drew/AP

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Richard Drew/AP

“We did not take into account ourselves glitter rock; we have been simply rock & roll,” Johansen stated within the guide Please Kill Me, an oral historical past of punk music. “And we thought that is the best way you have been presupposed to be in the event you have been in a rock and roll band. Flamboyant.”

Johansen was a lithe onstage presence who strutted and peacocked with the arrogance of Mick Jagger, however possessed earnest insouciance that was tough across the edges. The Dolls’ lack of polish was a significant a part of their appeal, as they traded in raucous glam riffage and ragged takes on early rock ‘n’ roll and R&B. However, in a nod to his foundational sonic texts, Johansen pointedly famous that the band lined Otis Redding, Archie Bell & The Drells, and Sonny Boy Williamson.

Produced by Todd Rundgren, the Dolls’ 1973 self-titled album featured songs written or co-written by Johansen. (The lone exception was a slipshod tackle Bo Diddley’s “Drugs.”) New York Dolls ended up a proto-punk masterpiece: shambling bar-band boogie (“Character Disaster”), swaggering glam (“Wanting For A Kiss”), hot-rodding garage-punk blueprints (the Johnny Thunders co-write “Jet Boy”) and deconstructed rockabilly-soul (the howling “Trash”).

Johansen’s lyrics have been vivid and hungry, capturing the stressed vitality of each the band’s New York Metropolis hometown and the political and societal fissures rupturing America.

“We have been actually such a gang, and it was like us towards the world,” he advised Contemporary Air host Terry Gross in 2004. “And we have been actually attempting to evolve music into one thing new, and it was, you already know, very sort of nearly militant to us.”

However whereas lots of their glammy friends went on to take pleasure in nice business success, the Dolls remained a cult favourite, albeit one which had an unlimited affect on ’70s and ’80s rock. The ’80s hair steel scene owes a sartorial debt to the band, whereas Duran Duran, Morrissey and R.E.M.’s Michael Stipe are avowed followers. Within the guide Please Kill Me, music impresario Malcolm McLaren, who briefly labored with the group, even admitted, “I used to be attempting to do with the Intercourse Pistols what I had failed with the New York Dolls.”

The Dolls broke up in 1976, with Johansen citing “inertia” and “factions within the group that have been, you already know, extra considering medicine than in enjoying music” within the 2004 NPR interview.

He subsequently went solo, releasing a swaggering, Rolling Stones-esque 1978 self-titled album with singles like “Funky However Stylish.” Future data continued to refine his shimmying, bar-band glam, with the Mick Ronson co-produced 1979 LP In Fashion, often dabbling in disco. Johansen additionally toured closely and landed opening slots for Pat Benatar and The Who.

Within the Nineteen Eighties, Johansen revisited his love of the blues — and had an surprising profession resurgence — below the moniker Buster Poindexter, a childhood nickname.

“On the road, they known as me Buster,” he advised Individuals in 1988. “Then they’d catch me with books and name me Poindexter, so it is sort of an mental punk or one thing.”

As Johansen advised Contemporary Air in 2004, he formed this musical persona throughout a low-key Monday evening residency at an Irish bar in Manhattan’s Gramercy Park, a “barrelhouse sort of roadhouse present” the place he carried out music he had been listening to, like soar blues songs and Camelot‘s “The Seven Lethal Virtues.”

This intimate engagement ultimately led to him fronting a giant band within the guise of a louche Las Vegas membership performer, full with a pompadour, fancy go well with, and accoutrements like cigarettes and martinis.

“By the point it bought to the nationwide consciousness, it did have this type of Vegas-y sort of thought to it,” he stated in 2004 of his act. “But it surely began off extra sort of just like the Louis Prima days within the ’50s of Vegas.”

Buster Poindexter grew to become a daily presence on Saturday Night time Dwell and earned an surprising hit with 1987’s horn-peppered “Sizzling Sizzling Sizzling,” a canopy of a tune by the soca artist Arrow. The tune was the “bane of my life,” Johansen advised Terry Gross in 2004, after asking her to not play the tune throughout the interview.

Over time, Buster Poindexter toured with a bunch dubbed the Banshees Of Blue and launched 4 studio albums, encompassing classic R&B, blues, salsa and merengue.

“I do know some folks suppose, ‘Oh, Johansen places on a tuxedo and thinks he is any person else,’ ” he advised Individuals in 1988. “But it surely’s me, actually. Generally I’ve discovered that by getting right into a sure drag, or a sure feeling, you’ll be able to solid off your mortal coil and actually do one thing. I do not know if it is necessary, however it’s one thing. It is leisure.”

Outdoors of music, Johansen acted in quite a lot of movies, together with Married to the Mob and Scrooged. And within the early 2000s, he shaped a band known as the Harry Smiths to carry out his childhood favourite blues songs (together with by Lightnin’ Hopkins) and tunes by the group’s namesake, folks archivist Harry Smith.

Considerably improbably, Morrissey satisfied the New York Dolls to reunite in 2004, a efficiency that was documented on Morrissey Presents the Return of the New York Dolls (Dwell from Royal Pageant Corridor 2004). This led to 3 extra studio albums — the primary, 2006’s One Day It Will Please Us To Keep in mind Even This, included visitor vocals from Michael Stipe — and tour dates that included Alice Cooper.

In line with a press release posted by his daughter Leah Hennessey, Johansen had navigated severe well being challenges since 2020, together with a mind tumor, however saved this information personal and remained busy. He saved up his internet hosting gig at his weekly SiriusXM radio present “Mansion of Enjoyable,” opened for Morrissey in 2023 in London, and did a heartfelt cowl of Phil Ochs’ “There however for Fortune” at a late 2023 celebration of Sixties Greenwich Village.

He additionally helped promote Martin Scorsese’s and David Tedeschi’s 2023 documentary on him, Character Disaster: One Night time Solely. The loving chronicle of Johansen’s life and profession was anchored by footage from a January 2020 set on the cozy Café Carlyle. Sporting a classy tackle his trademark Buster Poindexter look (a wolfish pompadour and a shiny go well with jacket), he entertained the group with tales and songs from his profession, his voice as snug and weathered as a worn-in leather-based jacket.

After a 2022 New York Movie Pageant screening of Character Disaster, a panel dialogue with Scorsese, Johansen and others concerned within the movie developed into some lighthearted back-and-forth about making the movie, with Johansen’s daughter Leah Hennessey noting how a lot her father disliked wanting again and telling tales about his previous.

“It is a fantastic objet, and I am very appreciative,” he protested flippantly, referring to the movie.

In response, Johansen’s spouse, Mara Hennessey, gently backed him up with a touching clarification: “The primary time David and I noticed the penultimate screening, he stated, ‘Properly, that is a model of myself I can reside with.'”