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NPR Music listens to Girl Gaga’s ‘Mayhem’ : NPR


Girl Gaga returned to pop music when she launched “Mayhem” final week. NPR Music’s Hazel Cills talks to Rob Schmitz in regards to the album.



ROB SCHMITZ, HOST:

You would possibly know Girl Gaga for being a pop star. However within the final decade, she’s carried out much more than simply make radio-friendly hits. She’s had main roles in movies and tv, taken a rustic flip and recorded two jazz albums with the late Tony Bennett. However final week, Girl Gaga returned to pop music when she launched “Mayhem.”

(SOUNDBITE OF SONG, “DISEASE”)

LADY GAGA: (Singing) I might play the physician. I can treatment your illness. For those who have been a sinner, I might make you consider.

SCHMITZ: Critics are calling the album a return to kind for an artist who likes to experiment. We’re joined by NPR Music’s Hazel Cills to speak about “Mayhem.” Welcome, Hazel.

HAZEL CILLS, BYLINE: Thanks for having me.

SCHMITZ: So that is the primary album that we have heard from Girl Gaga since 2020. What do you consider it?

CILLS: I believe that this album, “Mayhem,” is admittedly Gaga doing what she does greatest. I imply, she’s making this very, like, darkish, theatrical pop music. She was additionally very impressed by goth music making this album, which is attention-grabbing, referencing bands like 9 Inch Nails and The Treatment. There are all these songs about, you understand, beasts and zombies and witchcraft. There’s even a track known as “Abracadabra” that really credit the very influential ’80s goth rock group Siouxsie And The Banshees as a result of it sounds fairly much like one of many band’s songs.

(SOUNDBITE OF SONG, “ABRACADABRA”)

LADY GAGA: (Singing) With a haunting dance, now you are each in a trance. It is time to forged your spell on the night time. Abracadabra, amor-oo-na-na. Abracadabra, morta-oo-ga-ga (ph).

SCHMITZ: So Girl Gaga is a pop artist, however she’s additionally made music and different genres. And, you understand, as we talked about, she made jazz albums with Tony Bennett. She took a rustic flip. How does this album match into that profession?

CILLS: Yeah, it is attention-grabbing. You realize, Gaga has known as this album very chaotic. For my part, it actually is not chaotic. I really feel like Mayhem is her form of returning to the sound that launched her profession again within the late 2000s. And it appears like she’s usually performing nearly, like, an homage to her greatest work on this album. There’s a number of elements on the album the place it looks like she’s very explicitly referencing her personal catalog. For instance, there is a track known as Backyard of Eden.

(SOUNDBITE OF SONG, “GARDEN OF EDEN”)

LADY GAGA: (Singing) Take you to the backyard of Eden, poison apple, take a chunk. I will take you to the backyard of Eden. I will take you to the backyard of Eden. Oh.

CILLS: The best way that she sings on that track, the best way that she performs her vocals – it sounds so unbelievably much like me to the best way that she sings on her 2009 hit “Unhealthy Romance.”

(SOUNDBITE OF SONG, “BAD ROMANCE”)

LADY GAGA: (Singing) I would like your love, and I would like your revenge. You and me might write a nasty romance. Oh. I would like your love and all of your lover’s revenge, you and me…

SCHMITZ: And you might be saying that “Mayhem” is a return for Girl Gaga to the music she was making almost 20 years in the past. Does the music sound, you understand, dated in any respect, like, this 12 months, in 2025?

CILLS: I really feel like I might see how folks would suppose that, nevertheless it’s humorous. To me, it actually does not sound dated. You realize, I really feel like what’s attention-grabbing about “Mayhem” is that I really feel like lots of artists couldn’t pull off making an album like this, you understand, form of going again so explicitly to the sound of, you understand, the place they began their profession. I really feel like lots of people would suppose that is perhaps boring for an artist to do. I believe the truth that Girl Gaga has had such an experimental profession and a such numerous catalog, it signifies that she will be able to form of pull this off. And, you understand, there is a track on the album known as “Vanish Into You.” Once I hear a track like that, I hear somebody who actually is aware of their very own private formulation and is aware of what works for them and is pulling it off fairly confidently.

(SOUNDBITE OF SONG, “VANISH INTO YOU”)

LADY GAGA: (Singing) Do you see me? Do you see me now? Noticed your face and mine in an image by our bedside. It was chilly within the summertime. We have been blissful simply to be alive.

SCHMITZ: Yeah, I can hear that. I imply, this appears like loads like her earlier work. And as many people know, you understand, Girl Gaga is not only a musician. She simply starred within the new “Joker” sequel, and he or she was nominated for an Oscar for her position in “A Star Is Born.” You realize, how does her music match into this profession today?

CILLS: Yeah, I really feel like from, you understand, the surface Gaga’s profession during the last a number of years, it is perhaps form of complicated. She’s simply carried out so many various issues, pivoted in so many various instructions. And I really feel like “Mayhem,” this album, is form of a palate cleanser for anybody who has felt confused by that. She appears very conscious of what folks need from her, which is, you understand, this sort of music. There is a track on the album known as “Excellent Movie star,” the place she’s actually form of singing explicitly about how her followers see her and the way Hollywood sees her.

(SOUNDBITE OF SONG, “PERFECT CELEBRITY”)

LADY GAGA: (Singing) I am made from plastic like a human doll. You push and pull me, I do not harm in any respect. I speak in circles ‘trigger my mind, it aches. You say I like you, I disintegrate.

CILLS: It simply actually solidifies to me that “Mayhem” is an album that’s form of serving as a reminder to everybody that beneath all of it, she’s form of the identical musician that she’s all the time been.

SCHMITZ: So Hazel, what do you suppose Girl Gaga’s making an attempt to inform us with this album? Do you suppose it is – it tells one thing about how she sees herself as an artist?

CILLS: Yeah, I believe positively. I have been describing this album to mates as form of a flex. It simply looks like her actually confidently saying, you understand, I am in a world of my very own. You realize, she will be able to make nice pop music completely on her personal time period. She does not need to observe tendencies. You realize, she did not must do one other dramatic pivot like so many pop stars need to do. And I believe, you understand, in between, you understand, motion pictures and tv and all of her different ventures, she’s principally saying, like, I can all the time come again to this. Like, I can do that in my sleep. And I believe her followers, you understand, actually love her for it.

SCHMITZ: It have to be good. That is NPR Music’s Hazel Cills. Hazel, thanks for becoming a member of us.

CILLS: Thanks for having me.

(SOUNDBITE OF LADY GAGA SONG, “PERFECT CELEBRITY”)

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