Mexican singer Paquita la del Barrio performs on the 14th annual Latin Grammy Awards in Las Vegas, Nevada.
ROBYN BECK/AFP by way of Getty Photos/AFP
conceal caption
toggle caption
ROBYN BECK/AFP by way of Getty Photos/AFP
Paquita la del Barrio, the ranchera and bolero singer who took intention at machismo as if it had been a piñata, has died at her dwelling in Veracruz, Mexico. She was 77 years previous. Her group shared the information on her official Instagram web page. No reason for dying was offered.
Mexico Metropolis’s Division of Tradition issued a assertion celebrating her life and legacy: “[She] left an indelible mark along with her unmistakable voice and distinctive fashion, [her music] transcended generations and have become anthems of feminine empowerment and social criticism.”
Within the Eighties, Paquita la del Barrio — which interprets informally to Paquita from the block — turned a family title in Mexico, the place she was embraced for the disdain with which she wrote and sang concerning the males who broke her coronary heart. In considered one of her greatest hits, “Una rata de dos patas,” she famously in contrast an ex-lover to a two-legged rat, a cursed leech and a toxic snake.
Paquita’s biting — generally bitter — lyricism grew out of what she described as private expertise. Born Francisca Viveros Barradas in 1947, she was nonetheless a teen when she eloped with a person greater than 20 years her senior. After giving delivery to 2 of his sons, Barradas mentioned she realized her husband had been hiding a second spouse and household.
“I’ve suffered quite a bit. It is tough as a result of the center goes the place it needs,” she advised USA At present in 2021. “These emotions are what information folks to my music.”
She started performing in cantinas round Mexico Metropolis within the Nineteen Seventies. Initially, she sang along with her sister within the duo Las Golondrinas, and later debuted as a solo artist below a brand new creative title: Paquita la del Barrio. She went on to report greater than 30 albums and tour extensively throughout South America, Spain and america.
”We Mexicans have this machismo scenario. Girls are all the time damage by what males do to them,” she advised The Miami Herald in 2008. “I do not sing what others sing. I sing the reality, even when the gents do not prefer it.”
Throughout her profession, Paquita la del Barrio acquired two Latin Grammy nominations, 5 entries on Billboard‘s High Latin Albums chart and a Lifetime Achievement Award on the 2021 Billboard Latin Music Awards.
In feminist anthems like “Tres veces te engañé,” Paquita powerfully remodeled her ache into lyrics of full-bodied rage. Empowerment, too. Within the refrain, she sang, “thrice I cheated on you. The primary day out of anger. The second time on a whim. The third time for my pleasure.” The unapologetic nature of her music and public picture was cemented by one other line from the identical music, “Me estás oyendo, inútil?” It will change into Paquita la del Barrio’s catchphrase. In English, it means “Are you listening to me, you good-for-nothing?”