Roy Ayers, of ‘Everyone Loves The Sunshine’ fame, dies at 84 : NPR

Roy Ayers, the vibraphonist, composer and jazz-funk pioneer behind “Everyone Loves the Sunshine,” has died on the age of 84.

He died Tuesday in New York Metropolis after a protracted sickness, based on a press release shared on his Fb web page.

Ayers was born in Los Angeles on Sept. 10, 1940, to a musical household. Like a scene out of a film, a 5-year-old Ayers boogie’d so laborious at a Lionel Hampton live performance that the vibraphonist handed Ayers his first pair of mallets.

“On the time, my mom and father advised me he laid some religious vibes on me,” he advised the Los Angeles Instances in 2011.

Whereas he lower his enamel on the Sixties hard-bop scene of LA, Ayers got here into his signature sound with 1970’s Ubiquity, an album title that he’d quickly take because the title of his band for the remaining decade. With Roy Ayers Ubiquity, the group soundtracked streetwise music by mixing funk grooves, soulful horns and vocals with jazz improvisation. By leaping off Miles Davis’ electrical interval and leaning right into a sun-kissed funk, they met a music motion already in movement, most notably on albums like 1971’s He is Coming and 1973’s Pink, Black & Inexperienced, to not point out Ayers’ rating for Coffy, the blaxploitation flick that includes Pam Grier.

However it’s the 1976 launch of Everyone Loves the Sunshine that despatched a ripple all through funk area; a staple of his dwell set for many years, the album’s title observe has since been sampled over 100 instances.

“It was so spontaneous. It felt great,” Ayers advised The Guardian in 2017 of the track’s creation. “And I knew precisely how I needed it to sound: a mixture of vibraphone, piano and a synthesiser.”

With some further congas, drums and a hazy nostalgia for lengthy summer season nights, the track impressed legions of crate-diggers to cut, warp and speed-up samples for the likes of Dr. Dre (“My Life”), Mary J. Blige (“My Life”) and The-Dream (“Outkast”).

“It is great, the will younger individuals categorical for my music,” Ayers advised Dummy in 2016. “It is great as a result of I am nonetheless rising in recognition.”

That lifeline continued by means of samples, but additionally studio collaborations with new generations of R&B and hip-hop musicians like Alicia Keys, The Roots, Gang Starr’s Guru and Tyler, The Creator.

Roy Ayers additionally appeared on Erykah Badu’s 2000 album Mama’s Gun, his vibraphone softly skating throughout “Cleva.” His contact is gentle and ornamental, however by no means showy — he responds to a track about pure magnificence together with his personal. Badu herself has referred to as Ayers the king of neo-soul, crediting him with the soft-focus, but meticulous, fusion of mellow sounds.

However 5 many years later, over a number of albums that included collaborations with Fela Kuti and Rick James, by means of samples in A Tribe Known as Quest and Pharrell Williams songs, throughout a number of types of music, the pianist Robert Glasper greatest sums up Ayers’ profession in a 2011 interview: “It simply has a Roy Ayers sound. There’s nothing you’ll be able to describe. It is simply Roy Ayers.”